History of inventions and copyright protections: Difference between revisions
(New page: 1776: *The power to enact copyright law is granted in Article I, Section 8, Clause 8, also known as the Copyright Clause, which states: "The Congress shall have Power [. . .] To promote ...) |
|||
(5 intermediate revisions by the same user not shown) | |||
Line 1: | Line 1: | ||
===Terry Fischer Disaggregation Speech=== | |||
Federal Copyright Law originates in a 1790 statute, adopted under the auspices of Article I, Section 8, Clause 8 of the Constitution | |||
Only 3 kinds of works were protected under the original statute: âBooks, maps, chartsâ | |||
[later subsumed in general category of âall the writings of an authorâ (1909) | |||
Over the course of the nineteenth and twentieth century, Congress and the courts cooperated in expanding the set of protected creations | |||
âPrintsâ are added by statute in 1802 | |||
âMusical Compositionsâ in 1831 | |||
âDramatic Worksâ | |||
In effect, were added to the galaxy by an 1856 statute granting the owners of copyrights in books the right to control public performance of their works â the only form of protection truly valuable to playwrights | |||
An extension confirmed in subsequent statutes | |||
âPhotographsâ were added by statute 1865 | |||
*In the 1883 Burrow-Giles case, the SCt rejected a constitutional challenge to this provision, but only because the posed, studio photo of Oscar Wilde at issue in the case was, in the courtâs judgment a âuseful, new, harmonious, characteristic, and graceful picture.â | |||
Gradually the aesthetic standard implicit in this judgment was softened, and copyright protection was tacitly extended to photos of all sorts | |||
So nowadays, not only is xeroxing a landscape photograph clearly illegal, but even taking a substantially similar photo may give rise to an infringement claim | |||
*Arguably, for example, Ansel Adams famous photograph of the snake river is infringed by this recent calendar picture | |||
Photographs can even be infringed by copies in other media | |||
For example, in the judgment of the Second Circuit, | |||
*this photo was infringed by | |||
*this sculpture, despite the mockery plainly evident in the latter | |||
âpaintings; drawings; and chromosâ were added to the statute in 1870 | |||
as were âstatuesâ; | |||
meaning 3-dimensional works of fine art | |||
and âartistic models or designsâ (1870) | |||
later subsumed in the broader category of âworks of artâ and âreproductions of works of artsâ (1909) | |||
Around the turn of the century, Advertisements were accepted into the fold (1903) | |||
During the 19th c., courts had generally been hostile to the extension of copyright to ads â on the ground that they did nothing to âstimulate original investigation whether in literature, science or art, for the betterment of the people.â: | |||
[Bracha: âIn J.L. Mott Iron Works, for example, the court stated that the copyright law âsought to It found that plaintiffâs âworkâ was âa mere priced catalogue illustrated with pictures of wares offered for saleâ --L. Mott Iron Works v. Clow, 82 F. 316, 318-19 (7th Cir. 1897); See also: Baker v. Selden, 101 U.S. 105-107 | |||
*This position is famously rejected by Justice Holmes in Bleistein (1903), which extended copyright protection to a circus poster: | |||
Holmes reasoned: âA picture is none the less a picture, and none the less a subject of copyright that it is used for an advertisement.â | |||
Motion Pictures are invented by Thomas Edison in the late 19th c. | |||
By 1903, an intermediate appellate court had recognized them as copyrightable subject matter | |||
Edison v. Lubin, 122 F. 240 (3d Cir. 1903). | |||
âLectures, sermons & addressesâ are added to the list by statute in 1909 | |||
*Growth continues in the 20th century | |||
âFictional charactersâ and âplotsâ are recognized by judicial decisions as objects of protection | |||
An 1948 Copyright Office regulation, construing a provision of the 1909 statute abandoning the restriction to âfine art,â upheld by the SCt in Mazer (1954) extended copyright protection to useful objects, so long as their aesthetic and functional aspects were âconceptually separableâ | |||
âSound recordingsâ â as distinct from the compositions they embody â were added in 1972 | |||
Pantomimes and Choreographic works were formally added as part of the 1976 general reform of the statute | |||
Software, formally, in 1978 | |||
Finally, Architecture was grudgingly given special protection by statute in 1990, in response to the United Statesâ belated accession to the Berne Convention | |||
*Two gradual conceptual shifts underlie this steady expansion of the zone of coverage | |||
The first, nicely traced by Oren Bracha in his dissertation in progress, is a movement from a conception of copyright as âtrade specific regulationâ to a conception that sees copyright as founded on the general principle of the right of creators to control their original works | |||
A change partially completed in the 1909 general reform of the Copyright Statute and fully completed in the 1976 Reform | |||
The second, emphasized by Peter Jaszi, is a change in what copyright is thought to protect: from the text to the âworkâ | |||
At the start of the 19th c., lawyers and Js thought that copyright law protected the sequence of words used in a book against verbatim reproduction | |||
By the early 20th century century, they thought it shielded the market value of the underlying work no matter how expressed | |||
The effect of this reconceptualization was to render illegal many forms of unauthorized use â including translations, abridgments, and motion-picture adaptations | |||
===Digital Media Timeline (INCOMPLETE)=== | |||
First Video Game Invented 1948 CE http://www.youtube.com/watch?v=s2E9iSQfGdg | |||
Software Code circa 1950sCE http://upload.wikimedia.org/wikipedia/commons/b/b7/Html-source-code.png | |||
Videotape Machine Invented 1956 CE http://upload.wikimedia.org/wikipedia/commons/4/4e/Ampex-avr3.jpg | |||
ARPANET comes online 1969 CE http://upload.wikimedia.org/wikipedia/en/6/6e/Arpnet-map-march-1977.png | |||
Copyright Act of 1976 1976 CE X | |||
First Cell Phone in U.S. 1983 CE http://www.bignet.org/regional/program/2005ISSC/StephanGardner/bigcellphone.jpg | |||
Berne Convention 1988 CE X | |||
Tim Berners-Lee invents Web 1989 CE http://en.wikipedia.org/wiki/Image:First_Web_Server.jpg] | |||
GPL Introduced 1989 CE http://www.fsfeurope.org/projects/gplv3/GPLv3-logo-red.png | |||
Uruguay Round 1994 CE X | |||
Netscape Navigator 1.0 1994 CE http://techluver.com/wp-content/uploads/2007/12/netscape_logo.jpg | |||
http:// | |||
CD-ROMs Standardized 1995 CE http://upload.wikimedia.org/wikipedia/commons/c/ca/CD-ROM.png | |||
AOL introduces Instant Messenger 1997 CE http://www.exit-reality.net/screenshots/aim17.gif | |||
Sonny Bono Copyright Act 1998 CE http://www.unc.edu/~unclng/bono.jpg] | |||
Digital Millennium Copyright Act 1998 CE X | |||
Google Launches 1998 CE http://library2go.files.wordpress.com/2008/04/google.jpg | |||
Napster Starts 1999 CE http://www.pocketpicks.co.uk/latest/wp-content/uploads/2008/03/napster4_logo_270x242.jpg | |||
iPod Released 2001 CE http://guides.macrumors.com/Image:Ipod1_2.jpg | |||
Napster Shuts Down 2001 CE X | |||
Creative Commons Launches 2002 CE http://mirrors.creativecommons.org/presskit/icons/cc.large.png | |||
MySpace.com launches 2003 CE http://img183.imageshack.us/img183/3013/screenafterbqa1.png | |||
iTunes Music Store launches 2003 CE http://images.apple.com/ca/itunes/store/images/index_hero20070905.png | |||
Flickr.com launches 2004 CE http://www.aoddesign.com/blog/resources/flickr-logo-icons/ | |||
Family Entertainment and Copyright Act 2005 CE X | |||
YouTube.com launches 2005 CE http://www.youtube.com/watch?v=jHjFxJVeCQs | |||
===Notable Dates in US Copyright=== | |||
from [http://www.copyright.gov/circs/circ1a.html US Government Copyright Site] | |||
August 18, 1787 | |||
James Madison submitted to the framers of the Constitution a provision âto secure to literary authors their copyrights for a limited time.â | |||
June 23, 1789 | |||
First federal bill relating to copyrights (H.R. 10) presented to the first Congress. | |||
May 31, 1790 | |||
First copyright law enacted under the new U.S. Constitution. Term of 14 years with privilege of renewal for term of 14 years. Books, maps, and charts protected. Copyright registration made in the U.S. District Court where the author or proprietor resided. | |||
June 9, 1790 | |||
First copyright entry, The Philadelphia Spelling Book by John Barry, registered in the U.S. District Court of Pennsylvania. | |||
April 29, 1802 | |||
Prints added to protected works. | |||
February 3, 1831 | |||
First general revision of the copyright law. Music added to works protected against unauthorized printing and vending. First term of copyright extended to 28 years with privilege of renewal for term of 14 years. | |||
August 18, 1856 | |||
Dramatic compositions added to protected works. | |||
March 3, 1865 | |||
Photographs added to protected works. | |||
July 8, 1870 | |||
Second general revision of the copyright law. Copyright activities, including deposit and registration, centralized in the Library of Congress. Works of art added to protected works. Act reserved to authors the right to create certain derivative works including translations and dramatizations. Indexing of the record of registrations began. | |||
March 3, 1891 | |||
First U.S. copyright law authorizing establishment of copyright relations with foreign countries. Records of works registered, now called the Catalog of Copyright Entries, published in book form for the first time in July 1891. | |||
January 6, 1897 | |||
Music protected against unauthorized public performance. | |||
February 19, 1897 | |||
Copyright Office established as a separate department of the Library of Congress. Position of Register of Copyrights created. | |||
July 1, 1909 | |||
Effective date of third general revision of the copyright law. Admission of certain classes of unpublished works to copyright registration. Term of statutory protection for a work copyrighted in published form measured from the date of publication of the work. Renewal term extended from 14 to 28 years. | |||
August 24, 1912 | |||
Motion pictures, previously registered as photographs, added to | |||
classes of protected works. | |||
July 13, 1914 | |||
President Wilson proclaimed U.S. adherence to Buenos Aires Copyright Convention of 1910, establishing convention protection between the United States and certain Latin American nations. | |||
July 1, 1940 | |||
Effective date of transfer of jurisdiction for the registration of commercial prints and labels from the Patent Office to the Copyright Office. | |||
July 30, 1947 | |||
Copyright law codified into positive law as title 17 of the U.S. Code. | |||
January 1, 1953 | |||
Recording and performing rights extended to nondramatic literary works. | |||
September 16, 1955 | |||
Effective date of the coming into force in the United States of the Universal Copyright Convention as signed at Geneva, Switzerland, on September 6, 1952. Proclaimed by President Eisenhower. Also, date of related changes in title 17 of the U.S. Code. | |||
September 19, 1962 | |||
First of nine special acts extending terms of subsisting renewal copyrights pending Congressional action on general copyright law revision. | |||
February 15, 1972 | |||
Effective date of act extending limited copyright protection to sound recordings fixed and first published on or after this date. | |||
March 10, 1974 | |||
United States became a member of the Convention for the Protection of Producers of Phonograms Against Unauthorized Duplication of Their Phonograms, which came into force on April 18, 1973. | |||
July 10, 1974 | |||
United States became party to the 1971 revision of the Universal Copyright Convention as revised at Paris, France. | |||
October 19, 1976 | |||
Fourth general revision of the copyright law signed by President Ford. | |||
January 1, 1978 | |||
Effective date of principal provisions of the 1976 copyright law. The term of protection for works created on or after this date consists of the life of the author and 50 years after the author's death. Numerous other provisions modernized the law. | |||
December 12, 1980 | |||
Copyright law amended regarding computer programs. | |||
May 24, 1982 | |||
Section 506(a) amended to provide that persons who infringe copyright willfully and for purposes of commercial advantage or private financial gain shall be punished as provided in Section 2319 of title 18 of the U.S. Code, "Crimes and Criminal Procedure." | |||
October 4, 1984 | |||
Effective date of Record Rental Amendments of 1984. Grants the owner of copyright in a sound recording the right to authorize or prohibit the rental, lease, or lending of phonorecords for direct or indirect commercial purposes. | |||
November 8, 1984 | |||
Federal statutory protection for mask works became available under the Semiconductor Chip Protection Act with the Copyright Office assuming administrative responsibility. Copyright Office began registration of claims to protection on January 7, 1985. | |||
June 30, 1986 | |||
Manufacturing clause of the Copyright Act expired. | |||
March 1, 1989 | |||
United States adhered to the Berne Convention for the Protection of Literary and Artistic Works. | |||
November 15, 1990 | |||
Section 511 added to copyright law. Provided that states and state employees and instrumentalities are not immune under the Eleventh Amendment from suit for copyright infringement. | |||
December 1, 1990 | |||
Effective date of the Computer Software Rental Amendments Act of 1990. Grants the owner of copyright in computer programs the exclusive right to authorize or prohibit the rental, lease, or lending of the program for direct or indirect commercial purposes. | |||
December 1, 1990 | |||
Protection extended to architectural works. Section 106A added to copyright law by Visual Artists Rights Act of 1990. Granted to visual artists certain moral rights of attribution and integrity. | |||
June 26, 1992 | |||
Renewal registration became optional. Works copyrighted between January 1, 1964, and December 31, 1977, automatically renewed even if registration not made. | |||
October 28, 1992 | |||
Digital Audio Home Recording Act required serial copy management systems in digital audio recorders and imposed royalties on sale of digital audio recording devices and media. Royalties are collected, invested, and distributed among the owners of sound recording and musical compositions, certain performing artists, and/or their representatives. Clarified legality of home taping of analog and digital sound recordings for private noncommercial use. | |||
December 8, 1993 | |||
North American Free Trade Agreement Implementation Act (NAFTA) extended retroactive copyright protection to certain motion pictures first fixed in Canada or Mexico between January 1, 1978, and March 1, 1989, and published anywhere without a copyright notice; and/or to any work embodied in them; made permanent the prohibition of sound recordings rental. | |||
December 17, 1993 | |||
Copyright Royalty Tribunal Reform Act of 1993 eliminated the CRT and replaced it with ad hoc Copyright Arbitration Royalty Panels administered by the Librarian of Congress and the Copyright Office. | |||
December 8, 1994 | |||
Uruguay Round Agreements Act restored copyright to certain foreign works under protection in the source country but in the public domain in the United States; repealed sunset of the Software Rental Amendments Act of 1990; and created legal measures to prohibit the unauthorized fixation and trafficking in sound recordings of live musical performances and music videos. | |||
November 16, 1997 | |||
The No Electronic Theft Act defined âfinancial gainâ in relation to copyright infringement and set penalties for willfully infringing a copyright either for purposes of commercial advantage or private financial gain or by reproducing or distributing, including by electronic means phonorecords of a certain value. | |||
October 27, 1998 | |||
The Sonny Bono Copyright Term Extension Act extended the term of copyright protection for most works to the life of the author plus 70 years after the author's death. | |||
October 28, 1998 | |||
The Digital Millennium Copyright Act provided for the implementation of the WIPO Copyright Treaty and the WIPO Performances and Phonograms Treaty; limited certain online infringement liability for Internet service providers; created an exemption permitting a temporary reproduction of a computer program made by activating a computer in the course of maintenance or repair; clarified the policy role of the Copyright Office; and created a form of protection for vessel hulls. | |||
November 2, 2002 | |||
The Technology, Education, and Copyright Harmonization (TEACH) Act of 2002 provided for the use of copyrighted works by accredited nonprofit educational institutions in distance education. |
Latest revision as of 14:07, 17 December 2008
Terry Fischer Disaggregation Speech
Federal Copyright Law originates in a 1790 statute, adopted under the auspices of Article I, Section 8, Clause 8 of the Constitution Only 3 kinds of works were protected under the original statute: âBooks, maps, chartsâ [later subsumed in general category of âall the writings of an authorâ (1909) Over the course of the nineteenth and twentieth century, Congress and the courts cooperated in expanding the set of protected creations âPrintsâ are added by statute in 1802 âMusical Compositionsâ in 1831 âDramatic Worksâ In effect, were added to the galaxy by an 1856 statute granting the owners of copyrights in books the right to control public performance of their works â the only form of protection truly valuable to playwrights An extension confirmed in subsequent statutes âPhotographsâ were added by statute 1865
- In the 1883 Burrow-Giles case, the SCt rejected a constitutional challenge to this provision, but only because the posed, studio photo of Oscar Wilde at issue in the case was, in the courtâs judgment a âuseful, new, harmonious, characteristic, and graceful picture.â
Gradually the aesthetic standard implicit in this judgment was softened, and copyright protection was tacitly extended to photos of all sorts So nowadays, not only is xeroxing a landscape photograph clearly illegal, but even taking a substantially similar photo may give rise to an infringement claim
- Arguably, for example, Ansel Adams famous photograph of the snake river is infringed by this recent calendar picture
Photographs can even be infringed by copies in other media For example, in the judgment of the Second Circuit,
- this photo was infringed by
- this sculpture, despite the mockery plainly evident in the latter
âpaintings; drawings; and chromosâ were added to the statute in 1870 as were âstatuesâ; meaning 3-dimensional works of fine art and âartistic models or designsâ (1870) later subsumed in the broader category of âworks of artâ and âreproductions of works of artsâ (1909) Around the turn of the century, Advertisements were accepted into the fold (1903) During the 19th c., courts had generally been hostile to the extension of copyright to ads â on the ground that they did nothing to âstimulate original investigation whether in literature, science or art, for the betterment of the people.â: [Bracha: âIn J.L. Mott Iron Works, for example, the court stated that the copyright law âsought to It found that plaintiffâs âworkâ was âa mere priced catalogue illustrated with pictures of wares offered for saleâ --L. Mott Iron Works v. Clow, 82 F. 316, 318-19 (7th Cir. 1897); See also: Baker v. Selden, 101 U.S. 105-107
- This position is famously rejected by Justice Holmes in Bleistein (1903), which extended copyright protection to a circus poster:
Holmes reasoned: âA picture is none the less a picture, and none the less a subject of copyright that it is used for an advertisement.â Motion Pictures are invented by Thomas Edison in the late 19th c. By 1903, an intermediate appellate court had recognized them as copyrightable subject matter Edison v. Lubin, 122 F. 240 (3d Cir. 1903). âLectures, sermons & addressesâ are added to the list by statute in 1909
- Growth continues in the 20th century
âFictional charactersâ and âplotsâ are recognized by judicial decisions as objects of protection
An 1948 Copyright Office regulation, construing a provision of the 1909 statute abandoning the restriction to âfine art,â upheld by the SCt in Mazer (1954) extended copyright protection to useful objects, so long as their aesthetic and functional aspects were âconceptually separableâ âSound recordingsâ â as distinct from the compositions they embody â were added in 1972
Pantomimes and Choreographic works were formally added as part of the 1976 general reform of the statute Software, formally, in 1978
Finally, Architecture was grudgingly given special protection by statute in 1990, in response to the United Statesâ belated accession to the Berne Convention
- Two gradual conceptual shifts underlie this steady expansion of the zone of coverage
The first, nicely traced by Oren Bracha in his dissertation in progress, is a movement from a conception of copyright as âtrade specific regulationâ to a conception that sees copyright as founded on the general principle of the right of creators to control their original works A change partially completed in the 1909 general reform of the Copyright Statute and fully completed in the 1976 Reform The second, emphasized by Peter Jaszi, is a change in what copyright is thought to protect: from the text to the âworkâ At the start of the 19th c., lawyers and Js thought that copyright law protected the sequence of words used in a book against verbatim reproduction By the early 20th century century, they thought it shielded the market value of the underlying work no matter how expressed The effect of this reconceptualization was to render illegal many forms of unauthorized use â including translations, abridgments, and motion-picture adaptations
Digital Media Timeline (INCOMPLETE)
First Video Game Invented 1948 CE http://www.youtube.com/watch?v=s2E9iSQfGdg
Software Code circa 1950sCE http://upload.wikimedia.org/wikipedia/commons/b/b7/Html-source-code.png
Videotape Machine Invented 1956 CE http://upload.wikimedia.org/wikipedia/commons/4/4e/Ampex-avr3.jpg
ARPANET comes online 1969 CE http://upload.wikimedia.org/wikipedia/en/6/6e/Arpnet-map-march-1977.png
Copyright Act of 1976 1976 CE X
First Cell Phone in U.S. 1983 CE http://www.bignet.org/regional/program/2005ISSC/StephanGardner/bigcellphone.jpg
Berne Convention 1988 CE X
Tim Berners-Lee invents Web 1989 CE http://en.wikipedia.org/wiki/Image:First_Web_Server.jpg]
GPL Introduced 1989 CE http://www.fsfeurope.org/projects/gplv3/GPLv3-logo-red.png
Uruguay Round 1994 CE X
Netscape Navigator 1.0 1994 CE http://techluver.com/wp-content/uploads/2007/12/netscape_logo.jpg
CD-ROMs Standardized 1995 CE http://upload.wikimedia.org/wikipedia/commons/c/ca/CD-ROM.png
AOL introduces Instant Messenger 1997 CE http://www.exit-reality.net/screenshots/aim17.gif
Sonny Bono Copyright Act 1998 CE http://www.unc.edu/~unclng/bono.jpg]
Digital Millennium Copyright Act 1998 CE X
Google Launches 1998 CE http://library2go.files.wordpress.com/2008/04/google.jpg
Napster Starts 1999 CE http://www.pocketpicks.co.uk/latest/wp-content/uploads/2008/03/napster4_logo_270x242.jpg
iPod Released 2001 CE http://guides.macrumors.com/Image:Ipod1_2.jpg
Napster Shuts Down 2001 CE X
Creative Commons Launches 2002 CE http://mirrors.creativecommons.org/presskit/icons/cc.large.png
MySpace.com launches 2003 CE http://img183.imageshack.us/img183/3013/screenafterbqa1.png
iTunes Music Store launches 2003 CE http://images.apple.com/ca/itunes/store/images/index_hero20070905.png
Flickr.com launches 2004 CE http://www.aoddesign.com/blog/resources/flickr-logo-icons/
Family Entertainment and Copyright Act 2005 CE X
YouTube.com launches 2005 CE http://www.youtube.com/watch?v=jHjFxJVeCQs
Notable Dates in US Copyright
from US Government Copyright Site August 18, 1787
James Madison submitted to the framers of the Constitution a provision âto secure to literary authors their copyrights for a limited time.â
June 23, 1789
First federal bill relating to copyrights (H.R. 10) presented to the first Congress.
May 31, 1790
First copyright law enacted under the new U.S. Constitution. Term of 14 years with privilege of renewal for term of 14 years. Books, maps, and charts protected. Copyright registration made in the U.S. District Court where the author or proprietor resided.
June 9, 1790
First copyright entry, The Philadelphia Spelling Book by John Barry, registered in the U.S. District Court of Pennsylvania.
April 29, 1802
Prints added to protected works.
February 3, 1831
First general revision of the copyright law. Music added to works protected against unauthorized printing and vending. First term of copyright extended to 28 years with privilege of renewal for term of 14 years.
August 18, 1856
Dramatic compositions added to protected works.
March 3, 1865
Photographs added to protected works.
July 8, 1870
Second general revision of the copyright law. Copyright activities, including deposit and registration, centralized in the Library of Congress. Works of art added to protected works. Act reserved to authors the right to create certain derivative works including translations and dramatizations. Indexing of the record of registrations began.
March 3, 1891
First U.S. copyright law authorizing establishment of copyright relations with foreign countries. Records of works registered, now called the Catalog of Copyright Entries, published in book form for the first time in July 1891.
January 6, 1897
Music protected against unauthorized public performance.
February 19, 1897
Copyright Office established as a separate department of the Library of Congress. Position of Register of Copyrights created.
July 1, 1909
Effective date of third general revision of the copyright law. Admission of certain classes of unpublished works to copyright registration. Term of statutory protection for a work copyrighted in published form measured from the date of publication of the work. Renewal term extended from 14 to 28 years.
August 24, 1912
Motion pictures, previously registered as photographs, added to classes of protected works.
July 13, 1914
President Wilson proclaimed U.S. adherence to Buenos Aires Copyright Convention of 1910, establishing convention protection between the United States and certain Latin American nations.
July 1, 1940
Effective date of transfer of jurisdiction for the registration of commercial prints and labels from the Patent Office to the Copyright Office.
July 30, 1947
Copyright law codified into positive law as title 17 of the U.S. Code.
January 1, 1953
Recording and performing rights extended to nondramatic literary works.
September 16, 1955
Effective date of the coming into force in the United States of the Universal Copyright Convention as signed at Geneva, Switzerland, on September 6, 1952. Proclaimed by President Eisenhower. Also, date of related changes in title 17 of the U.S. Code.
September 19, 1962
First of nine special acts extending terms of subsisting renewal copyrights pending Congressional action on general copyright law revision.
February 15, 1972
Effective date of act extending limited copyright protection to sound recordings fixed and first published on or after this date.
March 10, 1974
United States became a member of the Convention for the Protection of Producers of Phonograms Against Unauthorized Duplication of Their Phonograms, which came into force on April 18, 1973.
July 10, 1974
United States became party to the 1971 revision of the Universal Copyright Convention as revised at Paris, France.
October 19, 1976
Fourth general revision of the copyright law signed by President Ford.
January 1, 1978
Effective date of principal provisions of the 1976 copyright law. The term of protection for works created on or after this date consists of the life of the author and 50 years after the author's death. Numerous other provisions modernized the law.
December 12, 1980
Copyright law amended regarding computer programs.
May 24, 1982
Section 506(a) amended to provide that persons who infringe copyright willfully and for purposes of commercial advantage or private financial gain shall be punished as provided in Section 2319 of title 18 of the U.S. Code, "Crimes and Criminal Procedure."
October 4, 1984
Effective date of Record Rental Amendments of 1984. Grants the owner of copyright in a sound recording the right to authorize or prohibit the rental, lease, or lending of phonorecords for direct or indirect commercial purposes.
November 8, 1984
Federal statutory protection for mask works became available under the Semiconductor Chip Protection Act with the Copyright Office assuming administrative responsibility. Copyright Office began registration of claims to protection on January 7, 1985.
June 30, 1986
Manufacturing clause of the Copyright Act expired.
March 1, 1989
United States adhered to the Berne Convention for the Protection of Literary and Artistic Works.
November 15, 1990
Section 511 added to copyright law. Provided that states and state employees and instrumentalities are not immune under the Eleventh Amendment from suit for copyright infringement.
December 1, 1990
Effective date of the Computer Software Rental Amendments Act of 1990. Grants the owner of copyright in computer programs the exclusive right to authorize or prohibit the rental, lease, or lending of the program for direct or indirect commercial purposes.
December 1, 1990
Protection extended to architectural works. Section 106A added to copyright law by Visual Artists Rights Act of 1990. Granted to visual artists certain moral rights of attribution and integrity.
June 26, 1992
Renewal registration became optional. Works copyrighted between January 1, 1964, and December 31, 1977, automatically renewed even if registration not made.
October 28, 1992
Digital Audio Home Recording Act required serial copy management systems in digital audio recorders and imposed royalties on sale of digital audio recording devices and media. Royalties are collected, invested, and distributed among the owners of sound recording and musical compositions, certain performing artists, and/or their representatives. Clarified legality of home taping of analog and digital sound recordings for private noncommercial use.
December 8, 1993
North American Free Trade Agreement Implementation Act (NAFTA) extended retroactive copyright protection to certain motion pictures first fixed in Canada or Mexico between January 1, 1978, and March 1, 1989, and published anywhere without a copyright notice; and/or to any work embodied in them; made permanent the prohibition of sound recordings rental.
December 17, 1993
Copyright Royalty Tribunal Reform Act of 1993 eliminated the CRT and replaced it with ad hoc Copyright Arbitration Royalty Panels administered by the Librarian of Congress and the Copyright Office.
December 8, 1994
Uruguay Round Agreements Act restored copyright to certain foreign works under protection in the source country but in the public domain in the United States; repealed sunset of the Software Rental Amendments Act of 1990; and created legal measures to prohibit the unauthorized fixation and trafficking in sound recordings of live musical performances and music videos.
November 16, 1997
The No Electronic Theft Act defined âfinancial gainâ in relation to copyright infringement and set penalties for willfully infringing a copyright either for purposes of commercial advantage or private financial gain or by reproducing or distributing, including by electronic means phonorecords of a certain value.
October 27, 1998
The Sonny Bono Copyright Term Extension Act extended the term of copyright protection for most works to the life of the author plus 70 years after the author's death.
October 28, 1998
The Digital Millennium Copyright Act provided for the implementation of the WIPO Copyright Treaty and the WIPO Performances and Phonograms Treaty; limited certain online infringement liability for Internet service providers; created an exemption permitting a temporary reproduction of a computer program made by activating a computer in the course of maintenance or repair; clarified the policy role of the Copyright Office; and created a form of protection for vessel hulls.
November 2, 2002
The Technology, Education, and Copyright Harmonization (TEACH) Act of 2002 provided for the use of copyrighted works by accredited nonprofit educational institutions in distance education.